AI-powered dubbing and lip-sync platform will be integrated into Studio Dome's global film and television distribution workflow
LOS ANGELES, October 13, 2026. Studio Dome has acquired Incantor AV, the audiovisual localization technology and related assets developed by Incantor, bringing its AI-powered dubbing, localization and lip-sync capabilities directly into Studio Dome's global film and television distribution infrastructure.
The technology was developed to make high-quality audiovisual localization faster and more economical through a combination of AI automation and human quality control. Its workflows include transcription, translation, voice generation and dubbing, along with lip-manipulation technology designed to better synchronize translated dialogue with on-screen performances.
Studio Dome plans to integrate the technology across its distribution operations, initially using it for international deliveries, its owned and operated channels and horror streaming service BloodStream, while continuing to offer localization services to third-party filmmakers, distributors and content owners.
For Studio Dome CEO Shaked Berenson, a longtime independent film producer and distributor who serves on the Board of Directors of the Independent Film & Television Alliance (IFTA), reducing the cost of localization has implications beyond simply making distribution more efficient. Berenson has spent much of his career advocating for independent filmmakers and expanding their access to global audiences.
"Major studios have always had the resources to dub their movies for markets around the world, but for independent films, the audience in an individual territory often wasn't large enough to justify the cost," said Berenson. "If technology can bring that cost down dramatically, suddenly a film that could only economically reach a handful of markets can reach dozens."
"Growing up outside the U.S., I remember what it was like when the movies or shows you wanted simply weren't available where you lived," Berenson continued. "Audiences found other ways to get them, and too often piracy filled the gap left by legitimate distribution. Making localization more accessible means more filmmakers can reach audiences around the world, and more audiences can legally access stories that previously never made it to their market."
The transaction builds on a relationship between Studio Dome and Incantor that dates back to the early development of the platform. Berenson served in an advisory role to Incantor, while Studio Dome became an early commercial partner and one of the platform's principal customers, providing product feedback, real-world content for testing, industry introductions, and sales and marketing support.
The acquisition places Incantor's technology and the platform within a distribution infrastructure where it can be deployed across a significantly larger volume of content and continue to evolve around real-world localization needs.
"This is a natural evolution of a collaboration we've had with Studio Dome almost from the beginning," said Laura Oliver, co-founder of Incantor. "Studio Dome brought something incredibly valuable to the development process: real content, real distribution challenges and direct access to the filmmakers and rights holders who would ultimately use the technology. Bringing the platform into Studio Dome's workflow puts it where the content, customers and distribution infrastructure already are, and gives the technology an opportunity to reach its full potential."
"We built this technology to help make global distribution more accessible," Oliver continued. "Seeing it become part of a company that can deploy it every day, across a large and growing content pipeline, is a natural next chapter for what we created."
Where Technology Meets Creativity
The acquisition also represents the latest step in Studio Dome's broader effort to combine technology with the creative and commercial infrastructure of independent entertainment.
Over the past year, Studio Dome has expanded its global distribution operations through the acquisition of Glass House Distribution, launched proprietary reporting technology designed to provide filmmakers and rights holders with greater visibility into the performance of their content, and launched BloodStream, a direct-to-consumer horror streaming service.
The addition of Incantor's localization technology brings another traditionally separate part of the distribution process into that ecosystem, further connecting the infrastructure behind acquiring, licensing, localizing, delivering, monetizing and reporting independent content.
"Independent distribution is still incredibly fragmented," said Berenson. "Sales, localization, delivery, reporting and exhibition are often handled by different companies using systems that don't communicate with each other. We see an opportunity to bring those pieces closer together and use technology to make the entire process more efficient, transparent and accessible."
That strategy reflects Studio Dome's broader philosophy of operating where technology meets creativity, using technology not as a replacement for filmmakers, performers or the creative process, but as infrastructure that can reduce costs, remove barriers and expand the potential audience for independent content.
"We're not interested in technology just because it's new," Berenson added. "We're interested in where technology solves real creative and business problems. If we can use it to help a filmmaker reach an audience that previously wasn't economically possible to reach, that's where it becomes exciting."
Studio Dome will begin integrating Incantor's localization technology immediately, with continued development and expanded capabilities planned as the platform becomes part of the company's broader distribution workflow.
About Studio Dome
Studio Dome is a technology-driven global film and television distribution and content services company operating at the intersection of technology and creativity. The company combines global licensing and distribution with proprietary technology, localization, content delivery, rights management, financial reporting, channel operations and direct-to-consumer streaming. Its growing operations include Glass House Distribution and horror streaming service BloodStream.
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About Incantor
Incantor develops artificial intelligence technologies designed to solve complex challenges. Traditional LLMs are expensive to run and require enormous amounts of data. By harnessing unusual mathematical principles, Incantor achieves performance orders of magnitude beyond that of incumbent AI companies. The architecture represents a significant advancement in neural network design, fundamentally rethinking how AI systems process and store information.
Media Contact: Press@StudioDome.com
General Contact: Shaked@StudioDome.com